Adrienne Momi

Adrienne Momi

https://www.adriennemomi.com

What is art, if not a depiction of tension--of merged dualities. Scholarship and esthetics; the inner and the outer self: the masculine and the feminine, the light and the dark? These are the underlying themes in my work. 
 
For fifty years, I have exhibited my work nationally and internationally as a professional printmaker, bookbinder, painter and hand paper maker. I have created monumental site installations exploring our relationship with the environment, and delved into the collective unconscious of our culture. Communicating with the universe in such "big" ways, these site specific projects have changed lives, and fostered new ideas in their viewers as well as in their maker. 
The process of imaginative expression is central to my work. With process as my muse, I explore daily life, motherhood, sexuality, aging and our human relationship to the Earth in my varied series. Find textures, layers of marks and vivid hues in my studio watercolors and oils; notice the variety of techniques I use to make monoprints; rejoice with me in the landscape’s beauty in my pleine-aire pieces. My work is a magical personal vision of our world.
 
For twenty years, I taught art, humanities and mathematics. The focus of my scholarship was mythology dating as far back as the Anatolian Neolithic. My teaching responsibilities have extended from the Mythological Studies Department at Pacifica Graduate Institute to the Women's Studies Department at the University of Missouri St. Louis, and the Mathematics Department at St. Louis Community College. 
I have lived, taught and made art in Florence, Italy; Brno, Czech Republic; and Catalhoyuk, Turkey, and have presented numerous papers, lectures and workshops at international conferences. Now retired from my academic career, making art is once again my full time occupation. Just for fun, I recently wrote, illustrated and published a children's book, The Amazing Adventures of Radish Toe.

Biography Conner is known for distinctive color woodcuts. Using non-endangered wood and brilliant color palettes, Conner creates conceptual woodcuts exposing the intrinsic wood grain. Conner exhibits nationally and internationally. Woodcuts are included in over fifty museum and corporate print collections in the U.S. and internationally: Museum of Fine Arts, Boston; California Palace of the Legion of Honor, San Francisco; Equitable Center, NY; Colorado Springs; Capital One Art Collection, Austin; Fidelity Investments; State Department Art in Embassies; New York Public Library; Fogg Art Museum, Harvard University; Library of Congress; List Visual Arts Center, MIT; Credit Suisse First Boston, London; Federal Reserve Bank, Richmond; University Health System, San Antonio; Ritz Carlton Hotels; and Neiman Marcus. Reviews and announcements of Conner’s publications appear in Art In Print, Art On Paper, New Art Examiner, Who's Who in American Art, and Who's Who of American Women. She collaborates with Katherine Brimberry, Flatbed Press, Austin, TX, publisher of her woodcuts; and Leslie Miller, Grenfell Press, NYC. She was born in Wilmington, NC, 1948. She received a BFA from Salem College, Winston-Salem, NC; and MFA from University of North Carolina at Chapel Hill and is Professor Emerita at University North Carolina Wilmington. She lives in Wilmington, NC.            
Sylvia Solochek Walters received her undergraduate degrees in art and her MFA from the University of Wisconsin-Madison. Her woodcuts have been shown in numerous national/international exhibitions and have won many awards – including Honors in 2014 for Tradition in Printmaking from the Southern Graphics Council International at their annual conference in San Francisco. Her prints are held in the collections of the Milwaukee, St. Louis, Oakland and Chazen Art Museums, the Milwaukee and Judah Magnes Museums of Jewish Art, the San Francisco Fine Arts Museums Achenbach Graphic Arts Foundation Collection, the Library of Congress, the New York Public Library and the Museum of Texas Tech University among others. She is currently represented by the Kala Art Institute Gallery in Berkeley and the Annex Galleries, Santa Rosa, California.Walters began teaching in 1963 and subsequently taught relief printmaking, drawing, painting, and related courses at large and small, public and private colleges, art schools and universities in different parts of the country. Eventually, she and her husband, Jim Walters, and their two cats settled in St. Louis, where they both taught at the University of Missouri at St. Louis (UMSL) and where she founded the art department. She became the department's first (and third) Chair as well as its gallery director for 10 years. In 1984, she was invited to become a faculty member and the permanent Chair of the art department at San Francisco State University. With the exception of two years during which time she served as Acting Dean of the College of Creative Arts at SFSU, she remained in that position for twenty years until her working retirement in 2004 after which she taught relief printmaking for five years. Awarded Professor Emerita status in 2009, she currently serves on the Board of the Kala Art Institute. In 2013 she was Assistant Editor (along with editor Maryly Snow) for California Society of Printmakers: One Hundred Years 1913-2013, an award-winning publication produced to celebrate the centennial of the CSP. The book was re-edited and reissued as an e-book in 2015.
More Laps Members 
Graphica America at MoLAA
May 5, 2019

LA Printmaking members are invited to join us for a special Board meeting and the 2019 Foundation Awards at the Museum of Latin American Art ( MoLAA) in Long Beach. After the meeting and award presentation, you are invited to visit the new exhibition at MoLAA, Grafica America.
If you would like to attend, please RSVP.
Museum opens at 11:00AM and Meeting will begin
promptly  at 11:30 in a private meeting area.

Gráfica América presents works by artists representing print shops, publishing houses, and artist collectives from throughout the United States, México, Central America, South America and the Caribbean. The exhibition celebrates the collaborative spirit of printmaking through historical prints and publications as well as contemporary traditional and experimental works made in collective studios and workshops established by Latin American and Latinx printmakers.

Gráfica América, is organized by the Museum of Latin American Art and is curated by Gabriela Martínez, MOLAA Curator of Education and Rogelio Gutiérrez, Professor of Printmaking at Arizona State University - School of Art.

LA Printmaking Board Meeting and 2019 Foundation Awards:
Sunday May 5th,

11:00 to 12:30: Board Meeting
12:30 to 1:00: Foundation Awards

Congratulations to our four student winners!
Adrienne Kinsella--------CSUN
Cherianna Crary---------CSULB
Hailee Ricardo ———  CSULB
David Pacheco-----------Mt. San Antonio College

Afterwards, everyone is invited to see the exhibition "Gráfica América”!

Location: Museum of Latin American Art (MoLAA)
628 Alamitos Avenue, Long Beach, CA, 90802

DianeMcLeod_Tear Down Tear Drop
April 26, 2019

JOIN US FRIDAY APRIL 26th for a special closing reception for the 2019 Spring LA Printmaking exhibition, Sweet Earth/Bitter Earth. Artist talks on artwork selected by juror Merion Estes will be followed by a special presentation and plant raffle by David Newsom, founder of The Wild Yards Project.

Last opportunity to see this wonderful exhibition before it closes, meet the artists and learn more about turning our yards into natural native habitats.

Closing Reception: Friday April 26th, 7:00PM to 8:30PM
Center for the Arts Eagle Rock 2225 Colorado Blvd. LA CA 90041

SELF HELP GRAPHICS & ART * PRINTMAKING SUMMIT • April 18 - 20, 2019
April 19, 2019

Self Help Graphics & Art is proud to host our bi-annual Printmaking Summit April 18-20, 2019 with demonstrations, workshops, panel discussions and artist talks focused on the role printmaking in today’s creative economy for students, emerging artists and skilled national printmakers. Admission to the summit is $25.00 (3-day pass) or $15.00 for students with a valid I.D. (3-day pass).

Participants of this three-day networking and skill-building event will learn about new technologies and green practices in printmaking, participate in demonstrations led by artists and an art exchange program, portfolio reviews, meet art supply vendors, among other activities. The Printmaking Summit’s mission is to build bridges among master printers, emerging and seasoned artists, as well as aspiring youth toward a solid foundation in printmaking.

Purchase Your Ticket

                                                                            Printmaking Summit Registration

The Printmaking Summit will conclude on Saturday, April 20, 2019 with an opening reception of Utopia/ Dystopia, a portfolio of fine art prints created in the form of a deck of 52 playing cards. Curated by Artist and Printmaker, Miyo Stevens-Gandara, twenty-six artists were invited to create two cards for the deck to create their interpretation of utopia and dystopia. The deck of cards allows the project to bring many different artists and styles together creating one unified artwork- a full deck, redefining a traditional portfolio. The concept of a deck of cards is intended to reference many things- games of chance, luck, fortune, war, solitude, precarious situations (house of cards), magic, empire, and divination. It serves as a container for many ideas, and each artist has chosen their own direction.

Artists include Pavel Acevedo, Kay Brown, Ada Pullini Brown, Leslie Dolin, Usen Gandara, Miyo Stevens-Gandara (Curator), Luis Genaro Garcia, J. Leigh Garcia, Margaret Griffith, Rogelio Gutierrez, Phung Huynh, Dongeun Lee, Kelvin Lopez, Rosalie Lopez, Sandra Low, Poli Marichal, Álvaro D. Márquez, Dalila Mendez, Wayne Perry, Sandy Rodriguez, Victor Rosas, Marianne Sadowski, Dewey Tafoya, Alex Fridrich-Ward, Christian Salcedo Ward and Andi Xoch.

Each day the evening portion of the Printmaking Summit is open to the public. RSVP here to attend one of the following events:
Thursday, April 18, 6 - 6:45 p.m. Keynote Speaker, Alison Sar *RSVP Required
Friday, April 19, 5 - 6 p.m. Artists Exchange *RSVP Required
Friday, April 19, 6 - 7 p.m. Public Sale *RSVP Required
Saturday, April 20, 5:30 - 8 p.m. Artists Exchange *RSVP Required

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