Karen Neubert

Karen Neubert

http://www.karenneubert.com

Born in Redlands, California, Karen is a painter and printmaker who has worked in Los Angeles since l959. Educated at Stanford (BA 1957), Otis (MFA 1959), and UCLA (Painting 1960), her early exhibitions include “Directorʼs Choice” at the Pasadena Art Museum, selected by Thomas Leavitt; “LA and Vicinity,” Los Angeles County Museum of Art; “Current Concerns” at LAICA, curated by Walter Hopps; “Imagination” at LAICA, curated by Llyn Foulkes; “Assemblage and Collage” at LAICA, curated by Hal Glicksman; Grandview Gallery at the Womenʼs Building and “Expo/International” at the Museo del Inah, Oaxaca, Mexico. She has exhibited at the LouWe Gallery, The Brand Library, Boston University, Cal Tech, Cal State Luckman Fine Arts Gallery, Cal Poly Pomona, UC Davis, The Berkeley Art Center, Occidental College, The LA Municipal Art Gallery, The Armory Center for the Arts, the Platt Gallery, San Luis Obispo Museum of Art, and many others. In Spring of 2012, she exhibited monotypes with Linda Lyke in a two person exhibit at Century Books, Pasadena, CA. From l977 to 1997 Karen was Artist-in-Residence (CA Arts Council) and Faculty at Pacific Oaks College where she created the Childrenʼs Art Studio, a multidisciplinary teaching studio for 200 children and student-teachers. Over the years, Karen initiated and developed art programs on several campuses, including Westridge School, and Pasadena Alternative School. Among the art spaces she created, “The Art Studio” at Pacific Oaks is documented in Design Over Time (Stine 1994). Karen was included in the 2010 encyclopedia, L.A. Rising: SoCal Art before1980 (Kienholz 2010). 

What is art, if not a depiction of tension--of merged dualities. Scholarship and esthetics; the inner and the outer self: the masculine and the feminine, the light and the dark? These are the underlying themes in my work.  For fifty years, I have exhibited my work nationally and internationally as a professional printmaker, bookbinder, painter and hand paper maker. I have created monumental site installations exploring our relationship with the environment, and delved into the collective unconscious of our culture. Communicating with the universe in such "big" ways, these site specific projects have changed lives, and fostered new ideas in their viewers as well as in their maker. The process of imaginative expression is central to my work. With process as my muse, I explore daily life, motherhood, sexuality, aging and our human relationship to the Earth in my varied series. Find textures, layers of marks and vivid hues in my studio watercolors and oils; notice the variety of techniques I use to make monoprints; rejoice with me in the landscape’s beauty in my pleine-aire pieces. My work is a magical personal vision of our world. For twenty years, I taught art, humanities and mathematics. The focus of my scholarship was mythology dating as far back as the Anatolian Neolithic. My teaching responsibilities have extended from the Mythological Studies Department at Pacifica Graduate Institute to the Women's Studies Department at the University of Missouri St. Louis, and the Mathematics Department at St. Louis Community College. I have lived, taught and made art in Florence, Italy; Brno, Czech Republic; and Catalhoyuk, Turkey, and have presented numerous papers, lectures and workshops at international conferences. Now retired from my academic career, making art is once again my full time occupation. Just for fun, I recently wrote, illustrated and published a children's book, The Amazing Adventures of Radish Toe.
Born in Greenfield, MA, Ethan Aaron Rice has been indulging his creative and artistic tendencies since childhood, fostered from life in both rural western Massachusetts and the suburban landscapes of New Jersey. What began as constant childhood doodles evolved into a deeper interest in the principles of art and the beginning of a lifelong passion. Ethan graduated from Northfield Mount Hermon highschool in 2001 where he began his studies in art.  He then earned a Bachelor's degree in Studio Art with minors in both Art History and English at the University of Vermont. During his undergraduate years, Ethan also studied abroad in Cortona, Italy at the Lamar Dodd School of Art with the University of Georgia where he was introduced to intaglio printmaking.  His interest in printmaking led him back to Italy to further his education at Il Bisonte Institute of Printmaking in Florence, Italy.  He graduated at the top of his class with a professional printmaking degree in 2007.  Ethan's art has been shown in many international and national shows. He continues to exhibit and enter competitions near and far to connect with more artists.  Presently, Ethan lives in Santa Monica, California where he teaches printmaking classes at the Irvine Fine Arts Center.  
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Graphica America at MoLAA
May 5, 2019

LA Printmaking members are invited to join us for a special Board meeting and the 2019 Foundation Awards at the Museum of Latin American Art ( MoLAA) in Long Beach. After the meeting and award presentation, you are invited to visit the new exhibition at MoLAA, Grafica America.
If you would like to attend, please RSVP.
Museum opens at 11:00AM and Meeting will begin
promptly  at 11:30 in a private meeting area.

Gráfica América presents works by artists representing print shops, publishing houses, and artist collectives from throughout the United States, México, Central America, South America and the Caribbean. The exhibition celebrates the collaborative spirit of printmaking through historical prints and publications as well as contemporary traditional and experimental works made in collective studios and workshops established by Latin American and Latinx printmakers.

Gráfica América, is organized by the Museum of Latin American Art and is curated by Gabriela Martínez, MOLAA Curator of Education and Rogelio Gutiérrez, Professor of Printmaking at Arizona State University - School of Art.

LA Printmaking Board Meeting and 2019 Foundation Awards:
Sunday May 5th,

11:00 to 12:30: Board Meeting
12:30 to 1:00: Foundation Awards

Congratulations to our four student winners!
Adrienne Kinsella--------CSUN
Cherianna Crary---------CSULB
Hailee Ricardo ———  CSULB
David Pacheco-----------Mt. San Antonio College

Afterwards, everyone is invited to see the exhibition "Gráfica América”!

Location: Museum of Latin American Art (MoLAA)
628 Alamitos Avenue, Long Beach, CA, 90802

DianeMcLeod_Tear Down Tear Drop
April 26, 2019

JOIN US FRIDAY APRIL 26th for a special closing reception for the 2019 Spring LA Printmaking exhibition, Sweet Earth/Bitter Earth. Artist talks on artwork selected by juror Merion Estes will be followed by a special presentation and plant raffle by David Newsom, founder of The Wild Yards Project.

Last opportunity to see this wonderful exhibition before it closes, meet the artists and learn more about turning our yards into natural native habitats.

Closing Reception: Friday April 26th, 7:00PM to 8:30PM
Center for the Arts Eagle Rock 2225 Colorado Blvd. LA CA 90041

SELF HELP GRAPHICS & ART * PRINTMAKING SUMMIT • April 18 - 20, 2019
April 19, 2019

Self Help Graphics & Art is proud to host our bi-annual Printmaking Summit April 18-20, 2019 with demonstrations, workshops, panel discussions and artist talks focused on the role printmaking in today’s creative economy for students, emerging artists and skilled national printmakers. Admission to the summit is $25.00 (3-day pass) or $15.00 for students with a valid I.D. (3-day pass).

Participants of this three-day networking and skill-building event will learn about new technologies and green practices in printmaking, participate in demonstrations led by artists and an art exchange program, portfolio reviews, meet art supply vendors, among other activities. The Printmaking Summit’s mission is to build bridges among master printers, emerging and seasoned artists, as well as aspiring youth toward a solid foundation in printmaking.

Purchase Your Ticket

                                                                            Printmaking Summit Registration

The Printmaking Summit will conclude on Saturday, April 20, 2019 with an opening reception of Utopia/ Dystopia, a portfolio of fine art prints created in the form of a deck of 52 playing cards. Curated by Artist and Printmaker, Miyo Stevens-Gandara, twenty-six artists were invited to create two cards for the deck to create their interpretation of utopia and dystopia. The deck of cards allows the project to bring many different artists and styles together creating one unified artwork- a full deck, redefining a traditional portfolio. The concept of a deck of cards is intended to reference many things- games of chance, luck, fortune, war, solitude, precarious situations (house of cards), magic, empire, and divination. It serves as a container for many ideas, and each artist has chosen their own direction.

Artists include Pavel Acevedo, Kay Brown, Ada Pullini Brown, Leslie Dolin, Usen Gandara, Miyo Stevens-Gandara (Curator), Luis Genaro Garcia, J. Leigh Garcia, Margaret Griffith, Rogelio Gutierrez, Phung Huynh, Dongeun Lee, Kelvin Lopez, Rosalie Lopez, Sandra Low, Poli Marichal, Álvaro D. Márquez, Dalila Mendez, Wayne Perry, Sandy Rodriguez, Victor Rosas, Marianne Sadowski, Dewey Tafoya, Alex Fridrich-Ward, Christian Salcedo Ward and Andi Xoch.

Each day the evening portion of the Printmaking Summit is open to the public. RSVP here to attend one of the following events:
Thursday, April 18, 6 - 6:45 p.m. Keynote Speaker, Alison Sar *RSVP Required
Friday, April 19, 5 - 6 p.m. Artists Exchange *RSVP Required
Friday, April 19, 6 - 7 p.m. Public Sale *RSVP Required
Saturday, April 20, 5:30 - 8 p.m. Artists Exchange *RSVP Required

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